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Greeting Japanese Visitors at BEA, June 7

A few weeks ago, publishing friend, Kay Ohara–who like me, once worked for the Japanese publisher Kodansha–emailed me with this question: “I’m playing the role of tour guide for a group of Japanese booksellers/ publishers. Their main interest is e-books . . . I was hoping you can give us a chance to ask what you’ve seen happening in the US book industry? Any time you can spare on June 7 at Javits?”

I happily agreed, made a note in my calendar, and forgot about it until yesterday when I got a text from Kay. “Are you at Javits? The delegation is having lunch right now. I wanted to know if you can meet with us in an hour or so.” Delegation–hmm? I thought. Fortunately, I wasn’t booked and we agreed to meet near the Bowker booth, at an entrance to the convention floor. I figured from there we could go find a few chairs outside in the food court, and I would try to answer their questions.

When I arrived, I saw that the group was much larger than I’d imagined, almost twenty men and women. Where was I going to take them? How would they hear me? What would I say to them? Luckily, I remembered that Kay is an excellent interpreter, so at least I had that going for me. Also lucky was the fact that next to the Bowker booth is a wide, common area, sort of a pass-through between two parts of the convention floor, with a kind of garage door and iron pillars to one side. I sized up the setting and moving with my back to this barrier, encouraged them to gather round in a semi-circle in front of me. I nodded to Kay and told her I’d offer them a quick rundown of my bookselling and publishing career, so they would understand my perspective on the business, after which I’d take their questions. I gave them my background in brief two-minute bursts, with Kay translating each segment–from Undercover Books, through the eight publishers I’ve worked for as an editor, with a special emphasis on my five years from 1992-97 with Kodansha America–when with my colleague Minato Asakawa, we created the Kodansha Globe series, devoted to cross-cultural titles, and the many Japanese and American colleagues I had then, such as Asakawa-san, Chikako Noma, daughter of the company’s president, and the late and dearly missed Leslie Pockell–on up through to my present days as curator and writer of this blog, independent editor, author representative, and consultant to such publishing enterprises as Speakerfile.

As Kay–who nowadays works as a publishing reporter for Japanese publications–had mentioned, their questions were largely about ebooks and I explained how they’ve reshaped and are continuing to reshape the U.S. book market. They asked me about author advances, and how the emergence of ebooks have affected them (on average, lowered them, I said); how print runs have been affected (ditto); and whether the majority of four-color printing for U.S. publishers is still being done in China (not sure, was my candid reply). At one point during the discussion, while Kay was interpreting something I’d said, I noticed several in the group were taking pictures of me. I took out my digital camera and began taking pictures of them, in a quick, panoramic continuum. The gallery of photos below is the spontaneous result.

Before we were finished, I distributed a handful of the 4×6 black&white postcard that Kyle and I’d had printed as a handout for BEA, and a fistful of my business cards. Soon, they were giving me their cards too, and we enjoyed a few minutes of very mannerly bowing and high-spirited exchanges of reciprocal good wishes for one another, with Kay providing introductions. The half-hour I spent with these foreign guests was a happy and diverting interlude on the final afternoon of BEA, a cross-cultural exchange I’m very glad I had the chance to be a part of, thanks to Kay Ohara, and her delightful “delegation.”
[Click through to see all photos.]

#FridayReads, June 8–A BEA Cornucopia

#FridayReads Some of the books I brought home from Book Expo America (BEA) and have already been browsing through:

The Devil’s Causeway: The True Story of America’s First POWs in a Foreign Land, and the Heroic Expedition Sent to their Rescue, Matthew Westfall (Lyons Press); Crossing the Continent, Michel Tremblay (Talonbooks); Mind Wars: Brain Science and the Military in the 21st Century, Jonathan D. Moreno (Bellevue Literary Press); Leonardo and “The Last Supper”, Ross King (Walker & Company); Too Much Magic: Wishful Thinking, Technology, and the Fate of the Union, James Howard Kuntsler (Grove Atlantic); Poe’s Lighthouse, edited by Christopher Conlon (Wicker Park Press); For the Sender: Four Letters, Twelve Songs, One Story, Alex Woodward (Hay House); Turkana Boy, Jean-Francois Beauchemin, translated from French by Jessica Moore (Talonbooks); The Life Squad, Amir Yassai (self-published); Life Among Giants, Bill Roorbach (Algonquin Books); Wilderness, Lance Weller (Walker and Company).

The NY Times on Bushwick Open Studios

Following on the shared post that Kyle and I published after Bushwick Open Studios (BOS) last weekend, Holland Cotter of the New York Times has today filed a report on his foray through the Brooklyn art event. Considering there were more than 500 open studios and galleries, he got to many venues we did not (and a few we did). The article is well worth reading, for his coverage, and his perspective on the work.

Late Update: On her blog Two Coats of of Paint, Sharon Butler has kindly linked to our original BOS post, Holland Cotter’s Times article, and a number of other BOS round-ups.

Days 2 & 3 BEA Photos

The final two days of BEA, Wednesday and Thursday, were very productive. The whole convention turned out to be one of the most upbeat book industry gatherings in several years. After a total of four days walking the halls of Javits Convention Center–Monday was the BEA Bloggers Conference, followed by the three days of the actual convention–I am sifting through the mound of catalogs, reading copies, business cards, and promo materials that Kyle and I lugged back to our home office, and replaying in my mind all the great conversations, book ideas, and collegiality we enjoyed. Following up our first day’s photos, here are pictures from the final two days, again taken by Kyle. The photo above was taken at the booth of Zola Books, which had a great response at BEA to their new social reading platform. In it, Joe Regal (2nd from right), made a happy group with his colleagues, under their banner, “The first eBook retailer from the community–for the community.” Additional photos, including the ones we took at Neil Young’s appearance with Patti Smith, will be posted in coming days.
Update: Publishers Weekly’s Rachel Deal has published a good article about Zola. Click through to see all of this post’s 40 + photos.

Working with Speakerfile at BEA, June 5-7

June 5 Update: As you can read below, I was planning to put the Book Expo America (BEA) live stream on my site, but I found the link for it brings with it a jarring, noisy ad that disturbed and annoyed readers on my site the few hours I had it up as a preview. If you do want to view the live stream, I recommend you go to the BEA site and watch it there. Meantime, below is an updated version of my original post previewing BEA, which stands as relevant as when I first put it up last week. Now, I’m off to the first full day on the convention floor at the Javits Center!



May 31

Next week I will be attending Book Expo America (BEA), the book industry’s annual convention which I’ve been attending regularly since 1978, when with my family I began operating the bookstore Undercover Books. In those days it was known as ABA, named for the American Booksellers Association, the trade group that then ran the show. It’s a sturdy annual rite of rededication to the creative and commercial enterprise that is book publishing where acres of forthcoming books are displayed at publishers’ exhibit stands; authors sign advance reading copies (ARCs) for booksellers and librarians; and book biz friends who haven’t seen each other for at least a year meet and re-meet and share their enthusiasms for the upcoming year’s new books.

This year I will be working BEA with a new client, a Toronto company called Speakerfile who’ve hired me as an affiliate of theirs in NYC, representing them to publishers, publicists, agents, and authors. They’re building a great platform–think eHarmony®–with conference organizers and meeting planners on one side and experts and authors on the other. If you are an author who does public speaking–or you work with authors, experts, and thought leaders who speak in public–and are eager to have more and better bookings, I suggest you visit Speakerfile’s website to get a sense of what they’re building, and ask me for more information. To make it easy if you want to learn more, I’ve placed a promo spot at the upper right corner of my site–a click on it will take you right to Speakerfile’s home page. CEO Peter Evans will be at BEA, so please ask me for an introduction or a demo of their platform. If you’re looking for us, much of the time we’ll be at Bowker’s stand.

Also, for the first time I will be at BEA as an accredited member of the press, covering the event for this blog.One perk that bloggers have been offered is the chance to live stream on our websites the BEA’s own video feed of the convention from the Javits Center. So beginning next Tuesday, June 5 through Thursday, June 7, I invite you to visit this site where you can vicariously channel the experience of BEA.(A warning: the embedded link currently begins with an e-reading ad at high volume, so you may want to mute your volume for about ten seconds.) I have no input about which events they’ll be carrying but I suggest you keep an eye out for these two possible highlights:

♦ Wednesday, June 6, at noon when Patti Smith will engage in a conversation with Neil Young, who in October will be publishing his memoir, Waging Heavy Peace. June 5 Update: I’ve been told that due to permissions and rights issues, BEA will not be able to live stream this event. To view the BEA live stream, go to the BEA’s own web site.

♦ Tuesday, June 5, 3:00 PM, when Ami Greko and Ryan Chapman host 7x20x21. In this rapid-fire program speakers have 7 minutes and 20 powerpoint slides to present their publishing   obsessions. Participants are

*Statistician Nate Silver, who writes the FiveThirtyEight politics and polling blog at the New York Times

*Shelia Heti, author of Ticknor and the upcoming How Should a Person Be?

*Robin Sloane, former Twitter employee, writer, media inventor, and creator of the much-lauded tap essay Fish.

*D. T. Max, writer of the upcoming David Foster Wallace bio, Every Love Story Is a Ghost Story.

*Dan Wilbur, creator of Better Book Titles, a blog which offers this replacement title for “Much Abo about Nothing”: “An Extremely Complex Lie Will Clearly Solve Everything.”

First Day of Book Expo America, June 4: BEA Bloggers Conference

Monday, June 4, I will be attending the BEA Bloggers Conference. The regular Book Expo America (BEA) is from Tuesday, June 5-7, but first I’m looking forward to hearing from and meeting many other book bloggers. I’ve been attending this convention virtually every year since 1978, and it’s always a thrill. This year is going to be an exciting one, and it all starts in a few hours.

Bushwick Open Studios, June 2—Shared Blog Post by Kyle Gallup & Philip Turner

Saturday was a perfect day for me and Kyle to go to Bushwick Open Studios (BOS) in Brooklyn. Our plan was to meet up with Kyle’s friend, painter Louisa Waber, and see as much as we could over the course of the afternoon. Before leaving we checked the BOS online catalog and jotted down several art venues that we knew we to wanted to hit, while still leaving opportunity for serendipitous discoveries. This year, the sixth annual BOS, there were more than 525 studios and galleries open to the public—so much to see and not enough time to see it all. What struck us immediately, and held true throughout the day, was the fresh, open, and unselfconscious quality of the artists and the work they were showing.

Our first stop was Norte Maar on Wyckoff St., where we’d read that we could pick up a printed catalog including helpful maps of the six zones where BOS was happening. After viewing the show of paper and film collages by Oliver Ralli and a video by his music group PassKontrol, we headed over to the exhibition AllTogetherNow organized by Julie Torres at The Coin Locker on Starr Street. The group of eleven artists in this show came from Australia, Europe, and across North America, having first been drawn to each other’s work on Facebook. Torres organized the exhibit and invited them to Brooklyn to show their paintings and spend time working together on collaborative pieces. All of them had met in person only for the first time in the past week. Hanging the show, she gave the artist the opportunity to step back from their work while she made connections among individual pieces that might not otherwise have emerged. The artists told us that Julie instructed them to place their works on the floor in front of the wall it would hang on and then “go get a cup of coffee.” Julie then translated the art on to the walls.

A sentiment expressed by several of the artists we spoke with, including Brian Cypher, Peter Shear, Vincent Hawkins, Inga Dalrymple, and Ian White Williams, was how they appreciated the chance to better understand each other’s creative process by collaborating on small works on paper. An artist would begin a piece and then another artist would choose to respond to the last artist’s drawn marks, shapes or color. The piece would be passed around and worked on until they felt that it was ready to put on the “finished pile.” The exhibition included works by the individual artists and the collaborative pieces they’d completed together.

Back out on Jefferson Street, we stopped for a free hot dog and iced tea outside the newly opening Cobra Club. A word to culinary carnivores: the hot dogs were from the cool Brooklyn butcher Meathook.

The next stop we made had not been on our list but the door was open and so we walked in, meeting two young female artists sharing a space on industrial Johnson Street, Alison Kizu-Blair and Sophie Stone. They told us that they’d been working in their apartments on very small-scale pieces until they decided to rent this space together. Close friends—Alison a painter and Sophie working more sculpturally—both are finding a new kind of freedom sharing the Bushwick studio. Alison said that earlier she’d only been able to work on small collages, while the studio space now allowed her to work larger and in oil paint, while her friend Sophie is able to create free-standing sculptural tiles and works in paper pulp and corrugated cardboard which she could not do in her apartment.

Next we continued on foot down desolate Johnson Street which was lined with idling trucks emitting odors and parked cement-mixing trucks until we reached The Active Space on Stewart Street to view Deborah Brown’s exhibition “Freewheeling.” The large space showed off Brown’s vibrantly painted canvases in hot saturated color that contrasted the junk cars and derelict junkyard landscapes.

Later, at The Active Space we walked in and out of studios where artists were working and meeting people. We met painter and fiber artist Emily Auchincloss who draws inspiration from weavers in Morocco who make boucherouite rugs. Another studio we visited was that of Jen Hitchings, who makes paintings related to her emotional connection with photography.

On 117 Grattan Street we were welcomed by artist Sharon Butler of the blog Two Coats of Paint where we viewed a group show curated by Austin Thomas, mounted in Sharon’s studio. This was a selection of four artists’ work that quietly related to one another. We noticed an old Royal portable typewriter that Sharon said she uses when she’s working in her studio. She does not have a computer in the studio and prefers staying offline while there. She uses the typewriter to make lists of different ideas and thoughts that come into her mind. Her views of Brooklyn rooftops and buildings provide an inspiration for her own paintings.

As the afternoon waned and we began to tire, we just had time for a visit to StorefrontBushwick on Wilson Street to see another group show. This was a collection of pieces by artists Abdolreza Aminari, Drew Shiflett, Paula Overbay, Lauren Seiden. Matthew Mahler, and Nancy Bowen. Aminari, from Iran, had delicate gold thread sewn through paper pieces, a nice contrast to Shiflett’s “Easel Sculpture #2” made from paper, fabric, glue, cardboard, wood polyester stuffing, Styrofoam and wire. In Seiden’s work, the layering of graphite on paper had a dense materiality.

Though there was much more we wanted to see, we stopped for a cold drink and a Mexican snack and the three of us shared our impressions of our afternoon’s long ramble through what amounted to only a mere sliver of BOS. We hope this report and the photos below give our readers a sense of how working artists have come together to forge a strong creative community in Bushwick, while it continues to evolve in new ways. / / more. . . click through to see all 50 + photos