A Timely Exhibit of Burmese Artists

April 16 2018 Update: It’s been more than six years since I attended this exhibit of Burmese artists in exile, held on the cusp of pivotal changes in the Asian country. It is distressing to know that despite much positive change, recent months have seen human rights abuses directed against the Rohingya people. There was no sign of this on the horizon when I wrote up the exhibit in 2012. It’s a pity that when positive change takes place—like the Arab Spring of last decade, and the dissolution of Yugoslavia in the 1990s—it is often followed by a decline in freedoms, as rivalries are loosed and opportunistic politicians angle for ways to help themselves gain or maintain power.
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I was excited then when I entered Gallery 35 last Saturday night, and detected a buzz of activity in the large, lighted space. I was first aware of the crowd–New Yorkers you might see at any art openings plus the Burmese artists, their friends and family. The work was striking, with much of it overtly on message about the years of military repression they’ve endured, but also full of brilliant color, vibrant shapes and strong composition. There was painting, fiber, sculpture and photography on display. I had a conversation with female painter and performance artist Chaw Ei Thein. She and others I spoke with are pleased, but wary about the regime’s new policy of relaxation. They hope it continues, but none of them is ready to believe in it wholeheartedly. Chaw Ei Thein placed this statement on her website in September 2011, prior to the current relaxation of repression:

Many of my friends are in prison, far away and inaccessible. There are over 2000 political prisoners in Burma. Some have been sentenced to 56 years of imprisonment, some 65, some 102. All are committed to their fight for freedom and justice in Burma, and for our people. I am lucky because I am not in prison like them. But I always think of them: how they spend their time in the prison, and how they have sacrificed. I cannot help them to be free. So I am doing this performance as a tribute to them and what they have done for us. In this performance, I explore the “poun-zan”: a form of torture common in Burmese prisons, in which prisoners must hold a physically excruciating and psychologically humiliating position for a long period of time.  My performance is their real performance in those prisons.

I photographed her two-fingered peace sign painting in the Gallery 35 exhibit. If you’re in New York I urge you to check the gallery’s hours and go see the powerful and beautiful work in this timely exhibit. It is up until February 25, and there will even be a closing reception on that Saturday next month. Meantime, here are pictures I took at the opening last week. // more . . .

Russell Hoban, Just a Great Writer

Update: Turtle Diary has now been reissued. See my new post about it, published July 12, 2013.

When longtime novelist and children’s book author Russell Hoban died last month, it was reported widely, deserving for an author who’d written the perennially popular children’s book series featuring the badger Frances (Bedtime for Frances, etc.) and the daring novel Riddley Walker (1980), set in a post-nuclear world. With an ingeniously minted alternative language, the protagonist is an appealing dystopian hero, unlike the menacing Alex DeLarge from A Clockwork Orange. I read the obituaries memorializing the 86-year old Hoban, and today was delighted to find another really good piece on him was just published by Irish novelist Kevin Holohan.

The book of Hoban’s that I loved most was Turtle Diary, a 1978 novel about two lonesome adults, strangers to one another at the start of the book, who happen to meet and befriend one another in front of the sea turtle tanks at the London Aquarium. Hesitant to converse at first, they quickly realize they’re each pondering and worrying over the fate of these large reptiles in their too-small tanks that mirror the limits surrounding their own lives. Soon, they hatch a conspiracy to spring two of the great, heavy aged beasts from their confinement, and with the help of an agreeable aquarium guard, set them free in the sea. In my bookstore, Undercover Books, we sold stacks of the Avon mass market paperback edition. In 1985 the novel was made into a memorable film with Harold Pinter adapting Hoban’s novel, Ben Kingsley and Glenda Jackson playing the unlikely couple, and Michael Gambon the guard who facilitates their plan, and their relationship. We sold many copies of Hoban’s books at Undercover Books; I recall that Riddley Walker was prominently reviewed in the New York Times Book Review by Benjamin Demott and again in the daily Times by John Leonard, who wrote, “His patter is an extraordinary compound of Middle English and Black American, an unpunctuated slanguage that achieves -despite some internal contradictions -the poetic. After 30 pages, we stop reading and start listening. The ear becomes our organ.”

When I was with Carroll & Graf Publishers, a literary agent offered us rights to the next Hoban novel, Amaryillis Night and Day, then being published in Britain. I made a modest bid for U.S. rights, but the author evidently thought it too modest and it ended up being published here by another house. It would have been a personal high point to publish a book with Mr. Hoban, but it was still a treat to read him in manuscript.

If you’ve never read one of Russell Hoban’s fine books, I urge you to remember him and the next time you’re browsing, especially in a second-hand bookstore, keep an eye out for his name on the spine of a copy of Riddley Walker, or even better, Turtle Diary. Don’t hesitate to take a copy home. He was just a great writer. And if you see a copy of the old video of the film “Turtle Diary,” grab that too, because Netflix doesn’t have it.

March 5, 2012, Happy News Update: The book imprint from the New York Review of Books, NYRB Classics, is reissuing Turtle Diary, so soon there will be no need to to find it secondhand.

Three Years Ago Today

On January 14, 2009, I was laid off as the editorial director of Sterling Publishing’s Union Square Press, an imprint of narrative nonfiction books I had been recruited to run two years earlier. I recall the anxiety I felt upon being summoned to the office of the HR director; the sick-making sensation that shot through my gut upon receiving the news; that my email was shut off by the time I returned to my office; and the way I was instructed to leave Sterling’s office for the final time, informed that whatever personal effects I couldn’t grab then would be shipped to my home. If you’ve never had this happen to you, I must say it is not something you can prepare yourself for. Even though I was not surprised to get laid off in the middle of the worst financial crisis in eighty years, it nonetheless registered as a deep shock. Later that dark week, I sent an email to all my contacts, headed “Moving on From Sterling,” for that’s what I had already begun to do. In the weeks that followed, I incorporated a business in the state of New York, Philip Turner Book Productions LLC, and began cultivating clients for what would be my new editorial services business. // more. . .

A Political Freudian Slip

“With the leadership and backing of the American people, President Obama will turn this country around.”–John McCain, on the campaign trail in South Carolina with Mitt Romney. H/t TPM for the hilarious video.

“Asymmetric Polarization” in American Politics

“Whoever is the standard-bearer, a Republican victory in 2012 would do nothing to reverse or restrain the radically rightward march of the party. The Tea Party movement has accelerated a process that has been under way for many years within the GOP, which is now firm in its identity as the insurgent party, set upon blowing up policies and public responsibilities that enjoyed bipartisan support for many decades. The Democrats are the status quo party— protective and pragmatic. The asymmetric polarization of the two camps is the most significant feature of contemporary American politics.”–from Washington Monthly’s issue devoted to the question, “What If Obama Loses?” // more. . .

400 Years Later, More Room for Books at Oxford University

Memories came flooding back this morning when I found online an article originating in the Oxford Times, headlined “Bodleian Library Gets an Upgrade.” Andrew Ffrench reports,
“Just over a year ago, library staff began transporting books to the South Marston site from Oxford, from its store in Nuneham Courtenay, and from a Cheshire salt mine, which was also being used to store part of its vast collection. The book move, the biggest since the library opened in 1602, was completed on schedule. One milestone was December 23, when the seventh million volume was shelved. The library, one of the oldest in Europe, and known to scholars as the ‘Bodley’ or ‘the Bod’, has 11 million volumes and is only second in size to the British Library. It is one of a handful of legal deposit libraries, which are required to keep a copy of every new book published. The completion of the move is part of the Bodleian’s plan to free up space and make its treasures more accessible for the public by providing larger display areas. Earlier this year, a collection of Franz Kafka’s letters to his sister went on display. The Treasures of the Bodleian exhibition included part of Jane Austen’s first draft of her unpublished novel The Watsons, which went on show for the first time since it was bought at auction earlier this year. Marco Polo’s travel manuscript from the 14th century, the Codex Mendoza, and a handwritten draft of war poet Wilfred Owen’s ‘Anthem For Doomed Youth’ also went on display. ” // more . . .

Time for a Laugh

This is pretty funny–Matthew Yglesias considers what would’ve happened had the government tried to create time zones and enact daylight savings time in the current political climate. This is the brief piece from Slate.com.
“The Big Government Takeover Of Time: A Parable by Matthew Yglesias
As I watched the entire Eastern Time Zone engage in a chorus of syncronized “Happy New Year!!!!!”-ing last night, I couldn’t help but think that a modern-day version of the 1918 Standard Time Act would probably prompt no end of hysteria on Fox News about the big government takeover of time. Newt Gingrich would note that God put the sun where he wanted it, and that having congress monkey with it is the height of secular socialism. Rick Perry would cite the 10th Amendment. Ezra Klein would try to explain that this is an industry-backed proposal developed by railroad executives with a long history of Republican support. Tim Carney would retort that this just goes to show how far the big government so-called “progressive” agenda is entwined with corrupt crony capitalism. John Boehner would probably try to put some sunset provision into the proposal so that time itself comes to a grinding halt unless the Keystone XL pipeline gets regulatory approval.”