One More BEA in the Books—2014 Edition

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I’ve noticed we live now in an age of reunions, with various landmarks in our lives regularly memorialized. There are invitations to school reunions, throw-back Thursdays in our social networks (aka #tbt), and much (re)greeting and (re-)meeting at occasions related to our professions. Most recent among these for me was Book Expo America (BEA), held in NYC May 28-31 at the Javits Center.

I’ve been attending the annual book convention most years since 1978, when I got started in the book business with Undercover Books, the bookstore chain I ran with my siblings and our parents until 1985, when I came to NY and began working in publishing. Over the past ten years BEA has almost always been held in NY, though in earlier decades the book industry held its trade show in Chicago, New Orleans, Atlanta, Las Vegas, Dallas, Anaheim, Los Angeles, and Washington, D.C. For a long time the event was called ABA, until the American Booksellers Association, the trade group of indie booksellers that ran it, sold the show to Reed Exhibitions, a corporation that runs such conventions. The regular meetings with many of the same people over many years accounts in part for the warmth and chumminess that makes the book business such a special field to work in.

A hunger for human connections, for friends new and old, in business and in our lives, has long been part of human nature, and I believe it’s increasing. Our society is in the third decade of the Internet, with more and more virtuality in our lives all the time, so true human contact is welcomed, especially with the economic stresses so many live with, leading us to crave actually seeing old friends and establish new relationships, giving us a chance to speak of our latest enterprises and tell our personal stories, while listening to those of our friends and counterparts. I think this appetite for the actual is also responsible for the growth I’ve noticed in the field of educational conferences—public events that have thematic programming, and often quite interesting public speakers, who may speak on their own, often with projected slides, or as part of panels with multiple speakers in conversation.

I think this also helps explain why a company for which I consult, ExpertFile.com has made a good business for itself the past few years. I began working with them after I met CEO Peter Evans at Digital Book World in 2011, when they were known as SpeakerFile. One of the areas in which they’d established themselves was to help meeting planners connect with the right speakers for each event, sort of like an eHarmony for the conference industry. In their name change ExpertFile identifies the gaining of expertise as a great need of modern professionals. They still work in the conference area, but now concentrate on helping organizations amplify and promote their in-house talent through online expert centers created with ExpertFile’s unique software, enabling members of the media, businesspeople, and conference organizers to discover these uniquely talented people. During BEA, I was tweeting tech stories from the floor that I found compelling, like this one.

Another intriguing company, new to me, if not entirely new in the market, was Mediander, which describes itself as creating “a knowledge engine, and power[ing] contextual discovery.” I was reminded in what they’re doing of Small Demons, the now-shuttered company that emphasized keyword indexing and mapping of publishers’ titles. I look forward to seeing what Mediander does in months to come. 

I note that during the recession, while so many industries floundered or sunk, conferences (like Aspen Institute, TED, TEDx, and Digital Book World flourished). Though O’Reilly and F&W Media shuttered Tools of Change after 2013, they still run a bunch of other conferences. By contrast, it must be said that the convention business—with events like BEA, where attendees still stroll aisles of booths set up by exhibitors—is relatively weak. BEA is trying to affiliate itself with more programmed events, but at its core it’s still been a trade show with floor exhibits mounted mostly by, in our case, publishers. Significantly, in 2013, and again this year, BEA has on its last day opened the show to the reading and bookbuying public—fans of authors—an inevitable evolution that I endorse. This latter part of BEA is now called BookCon, and Shelf Awareness reports that next year Reed will extend the the convention by a day, into Sunday with a second day of BookCon. This move, mixing an industry show with a consumer show, echoes ComicCon, a very successful show in Reed’s line-up. This year BookCon seemed to go very well, with more than 10,000 members of the reading public buying tickets and attending, as you’ll see from some photos below.

I’m going to reserve my book and publisher commentary for the captions accompanying the pictures below, most of them taken by Kyle Gallup, my wife, a painter, and Managing Editor of Philip Turner Book Productions.

Before that, I’ll say I’ve already read and enjoyed one book I got at Book Expo, Harvey Araton’s newspaper novel, Cold Type, which I made my #FridayReads this past weekend. I also want to add an observation that despite the continuing struggles of book publishing, it was actually quite an upbeat convention. Business has stabilized since the depths of the recession, and people are tired of feeling lousy, and talking as if the earth’s going to swallow us all. And, business has definitely gotten better in some areas. Also, many bookpeople I know were heartened this year by the fact that Amazon is taking it on the chin in many quarters of the press and in public opinion for their quarrel with Hachette over wholesale discount policies that the Seattle company is reportedly trying to dictate to the publisher. I don’t know when or how the standoff will end, but it makes many bookpeople, including me, feel good, or a bit better, to see the shine on Amazon’s reputation get tarnished a bit. With that, I’ll say I enjoyed I seeing many old friends, and making new ones at this year’s BEA. If you there were, dear reader, and we somehow didn’t bump in to each other, I hope you had a good convention, and I hope to see you next year. Here are many of the pictures Kyle and I took:

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#FridayReads, Harvey Araton’s Newspaper Novel, COLD TYPE

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#FridayReads, Harvey Araton’s newspaper novel, COLD TYPE, being published July 2014.

Memorable and likable characters dominate this realistic and very enjoyable novel by longtime New York Times sports reporter Araton, who also spent years at the NY Daily News. The progtagonist is Jamie Kramer, son of Morris, a longtime printer and union member at a NY paper called the Sun, which has recently been acquired by a marauding Anglo-Irish press baron, Leland Brady. Jamie works at the paper, too, though his one big story, on covert policies in his native Brooklyn that limit the sale of real estate to white people, a well-reported expose, earned him nothing but trouble. He hasn’t received the laurels bestowed on his hotshot cousin, Steven, a heroic columnist, at least in his own eyes. The book is set during a newspaper strike, apparently resembling in some respects a strike that occurred at the Daily News in the early 1990s. Araton makes entirely believeable the tension among the eight different unions striking the paper, triggered by the intemperate drivers.

Other characters include Jamie’s wife, Karyn, from whom he’s separated; their son, two-year old Aaron; and Jamie’s Latina colleague Carla, a savvy ally in the newsroom, and a sympathetic soul who knows Jamie’s secrets, even while she has many of her own. One subplot concerns Karyn, who’s in the midst of being recruited by a talkative entrepreneur in Seattle who’s starting a new business selling books on the Internet, still so new at this point in the ’90s. He even wants to recruit Jamie, who wants desperately to maintain a connection to Aaron, and so flirts with the idea of moving across the country. Araton never gives this Jeff-Bezos avatar a name but he hardly needed to do so. One irony that Araton doesn’t seem to have anticipated for his novel is that Bezos is now himself a newspaper owner, of the Washington Post, an inheritor of the world that Jamie Kramer and his father inhabit.

I will say very little about the ending, except that it’s a treat, as just desserts are served all ’round. This is a really enjoyable, sort of old-fashioned novel, offering a social portrait and a really rich story. Kudos to Mr Araton and Cinco Puntos Press, of El Paso, Texas, for writing and publishing this worthy novel. Thanks to Bobby Byrd of Cinco Puntos, who at BEA gave me the autographed copy I finished reading today. I’m going to be recommending COLD TYPE for weeks.

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Neal Gabler’s Reporting for the NY Times Lends Credence to Ben Urwand’s “The Collaboration: Hollywood’s Pact w/Hitler”

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Collaboration coverFirst, a refresher for readers who may not have seen several posts I wrote last fall I wrote about the revelatory book The Collaboration: Hollywood’s Pact with Hitler by Ben Urwand, Junior Fellow of Harvard’s Society of Fellows, published by Harvard University Press:

In one of those posts I had questioned what I saw as biased commentary on, unfair reviews of, and some weird carping about Urwand’s thorough, careful, and unsensational book about the failure of Hollywood moguls, most of them Jewish, to do much of anything to save Jews in Europe during WWII.

David Denby in The New Yorker had a shockingly censorious piece urging that the book be taken out of circulation until Urwand had revised it. Were such steps ever taken it would be an appalling abuse of free speech, violating the moral right of authors writing history to follow documentary evidence and publish their interpretation of events as they’ve come to understand them. The jaded Denby also claimed that much of what’s in the book was already known, but this missed the point: even if Denby’s post was accurate, can there no new or alternative interpretations of previously examined events, even plural interpretations, arrived at in good faith.  Moreover, though, Urwand’s sources included archives and business records that no English-speaking historian had ever worked with, so how could the book have failed to contain new material? Denby never addressed those points, as I read him.

The push-back against Urwand’s book included attacks on him by Alicia Mayer, grand-niece of mogul Louis B. Mayer, who wrote on her website: “I need your help. Imagine for a moment that your family has been accused of collaborating with Hitler and the Nazis.” I urged media outlets to cover her accusations skeptically, taking into account her obvious personal stake in seeing that her great-uncle remain untainted by a critical historian. Another blogger critical of Urwand thought it somehow relevant to question his degree of observance as a Jew because it had been reported he ate a (non-kosher) lobster salad during an interview with a journalist.

Following my posts about Urwand and his book, his publicity tour brought him to the Museum of Tolerance in NYC on October 17, where I went to hear him lecture and meet him in person. The mid-30s Australian scholar’s talk was particularly illuminating, and personal. He began by explaining that he had actually been working on an academic thesis, about Hitler’s taste in movies, information that’s accessible because of Nazi records stating what he showed for himself, and guests, in frequent screenings he held.

Working on his paper, Urwand found records showing that, even before Hitler came to power—because of protests and agitation by Nazis with the weak Weimar regime—the German government lodged protests in Hollywood about “All Quiet on the Western Front,” produced by Jewish film executive Carl Laemmle, head of Universal Studios. He was a German-born Jew, by then living in the US. The movie, based on novelist Erich Maria Remarque’s global bestseller, depicted pacifism on the part of German soldiers’ in the WWI drama, inimical to the emerging nationalism and militarism in Germany. This sort of influence, flowing from Germany toward Hollywood—often including successful attempts at meddling in the actual scripting and editing of films—continued during the pre-war years, and then once the war began.

Thanks to the slides Urwand showed, he was able to illustrate the documentary trail of evidence he had followed in his research. A handful of those images may be viewed by clicking here.

After a flurry of coverage last fall about Urwand’s important book, The Collaboration: Hollywood’s Pact with Hitler, things had quieted down until earlier this month when a lengthy article by film historian Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, was published in the New York Times. “Laemmle’s List: A Mogul’s Heroism” reported on the strenuous and often productive efforts of Laemmle to rescue imperiled Jews from Germany.

Though far as I know Gabler holds no special brief for Urwand, his article lends significant support to the thesis of The Collaboration.

For in his piece, Gabler writes,

“It may seem strange that Laemmle alone among the Hollywood chieftains—a group that included Adolph Zukor of Paramount, William Fox, Louis B. Mayer of MGM, Harry Cohn of Columbia and the Warner Brothers—sought to save Jews, since all of those studio heads were Jews themselves and nearly all of them had emigrated from Eastern Europe, over which Hitler was casting his ominous shadow. But almost from the inception of the American film industry, the Hollywood Jews were dedicated to assimilation, not religious celebration. They had come to America to escape their roots, not embrace them.”

It’s a pity that Carl Laemmle died so early in the war, 1939, or I bet he’d have saved yet many more German and European Jews. He was a good-hearted and generous man whose worries about the fate of many of his co-religionists consumed him to the point that his studio work was set aside while he lobbied Hollywood colleagues and such hard-hearted, anti-semitic officials in the US government as Secretary of State Cordell Hull.

I’m hopeful that the appearance of Gabler’s article will move some of Urwand’s critics to reconsider what I view as their reflexive and unreasonable opposition to his book. Watch this blog for further developments.

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#FridayReads, April 11-Stefan Zweig’s “Letter from an Unknown Woman”

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The title story in this collection of four tales of psychological disturbance is built around a mysterious epistle an unnamed author receives, announcing a distant lover’s passion for him that due to his own myopia of many years he learns about, for only the first time. Zweig (1881-1942) was born in Vienna and among many works of short fiction wrote the stories that inspired filmmaker Wes Anderson to make the recently released “Grand Budapest Hotel.” Another collection of Zweig’s work has been selected by Anderson, titled The Society of the Crossed Keys, also translated by Anthea Bell. These books are brought out by Pushkin Press, a London publisher of literature in translation and belles lettres, with newly translated works by writers like Zweig, Alexander Pushkin, Antal Szerb, and many other writers, such as the Catalan author Marc Pastor, whose crime novel Barcelona Shadows I look forward to reading soon. While choosing and translating the books very thoughtfully, they also design very handsome editions, as you can see on this page at their website. Pushkin PressBarcelona Shadows

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Fearing Lawsuit, Cambridge University Press Pre-emptively Quashes Investigative Book on Vladimir Putin

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Out of fear of libel action in the UK, Cambridge University Press has declined to publish a new book by Karen Dawisha, Professor of Political Science at Miami University who had earlier published seven well-regarded books with the scholarly press. As first reported in the Economist, Cambridge judged the book—reportedly chronicling Vladimir Putin’s ties to organized crime—likely to draw a lawsuit by Putin and/or the oligarchs covered in the book. Britain’s libel laws have long been regarded as a friendly haven for claimants crying “libel,” and even after a recent improvement to these laws, Cambridge declined to proceed with the book. In an exchange of emails with the press published by the Economist, Dawisha laments,

“One is left to conclude that the main lesson to prospective authors is not to publish in the UK anything that might be seen as libelous. Leaving aside the amusing thought that using the standards of ‘comfort’ set out in the letter–deftly written, one assumes, by your legal department–even the King James’ Version should probably also have been published outside the UK, I do think the field of political science and Russian studies (but also Middle East studies as evidenced by CUP’s pulping of Alms for Jihad) needs to come to terms with the difficult situation that no empirical work on corruption (and probably many other topics) should be published with a British publisher. Last week the EU and the US Government issued a visa ban and asset freeze on the very inner core that is the subject of my book. Many works will now come out on the makeup of the list and why each individual was placed on it. The answers to these questions are in my book. Isn’t it a pity that the UK is a ‘no-fly’ zone for publishing the truth about this group? These Kremlin-connected oligarchs feel free to buy Belgravia, kill dissidents in Piccadilly with Polonium 210, fight each other in the High Court, and hide their children in British boarding schools. And as a result of their growing knowledge about and influence in the UK, even the most significant British institutions (and I think we can agree that CUP, with its royal charter, 500-year history and recent annual revenues in excess of $400m, is a veritable British institution) cower and engage in pre-emptive book-burnings as a result of fear of legal action.”

Washington Post foreign policy blogger Adam Taylor also covers the fate of Professor Dawisha’s book, publishing an illuminating Q&A with her. Here’s a sample:

Adam Taylor: Are you able to describe any of the new evidence you found or how you found it?

Prof Dawisha: I rely on published sources, especially Russian investigative journalists in the period before press freedom was attacked. Many of these documents and reports disappeared from the Russian Internet, but I have been able to get hold of them. Interviews were used for background only, but lots of them in many countries. As to the details, I would rather people read the book since the cases I cover provide quite a clear picture of Putin’s role.

Adam Taylor: Do you feel like Putin’s St. Petersburg days are especially relevant now, what with the Crimea conflict and the U.S. sanctions against his associates that time?

Prof Dawisha: Absolutely. Almost all the key players, including (Deputy Prime Minister Dmitry) Kozak, who was just named as Putin’s federal representative to Crimea, started together in St. Petersburg. All the people on the sanctions list are key players in my book….

Adam Taylor: What’s your plan for getting the book published now?

Prof Dawisha: I will seek a U.S. publisher, although this decision has certainly cost me time. And it is a pity because this is a story that should come out sooner rather than later.
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Like the author I do hope a US publisher will pick up the title for publication here, though the house that does so will have to try and prevent even single copies being shipped to UK customers, lest Putin and his cronies use these sales as a pretext to claim the book has officially been published in the UK, giving them (spurious) grounds to sue the US company.

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The Day Gandhi Pinch-hit for the Yankees

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In honor of April Fool’s Day and the start of the new Major League Baseball season, I’m re-reading and sharing a very clever New Yorker sketch–Chet Williamson’s “Gandhi at the Bat,” in which the writer imagines a ballgame where the Mahatma, or the “Nabob of Nonviolence,” one of many funny names the author assigns him, played an inning with the 1933 Yankees, including Babe Ruth.  I love the whole piece, especially the set-up. The sketch is viewable below. You may hit the pause button in the blog’s slideshow to read each page (Apologies to Mr. Williamson, who I want to add has had a very interesting career, and The New Yorker for scanning and screen-grabbing my old clipping.)New Yorker baseball sketchChet Williamson sketch

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#FridayReads, March 21–Jan Wong’s Engrossing Memoir of Surviving Depression, “Out of the Blue”

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April Update: Jan Wong has suffered a new legal setback in her long-running battle with her former employer, the Globe & Mail newspaper. She had chronicled the breakdown of her employment in her gripping 2012 memoir Out of the Blue. Wong may have thought it was permissible to write about the settlement they agreed to, while not mentioning its actual amount. She wrote that the paper had paid her “a pile of money to go away,” and “a big fat check landed in my account.” The Globe & Mail claimed the confidentiality clause in their agreement had been violated and sued successfully for return of the money. Ironically, that has resulted in the disclosure of the settlement, $209,000, something the paper claimed they did not want to be revealed. I guess you could say that their vindictiveness came back to bite them. More recently, Wong appealed the initial ruling, which has now been upheld by a judge in Toronto. Wong was intemperate, but she surely delivers a better fate than to lose her settlement. According to this article, she may have one more appeal left to her.
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WongBeginning last week when I made Out of the Blue my #FridayReads for March 14, I spent much of the past week reading and being enthralled by Jan Wong’s scalding memoir of surviving a severe depression that was triggered when an article she’d reported and written became controversial. Her employer at the time, the Toronto Globe & Mail, utterly failed to support her as as the article, about a mass shooting in Montreal, blew up over several weeks and months, even though her editor had praised the approach Wong took to the story, which while reporting on the tragic incident also considered the role that the multilingual province’s ethnic politics may have played in the tragedy. Wong’s editor had even asked her to push this aspect of it further. As she began getting death threats and vile messages, the Globe & Mail hung her out to dry, implicitly criticizing her and pandering to the haters arrayed against her. Wong tells her story in the first person, a compelling narrative that follows the course of her struggle for fair treatment by her employer, and the torturous path of her illness, with records she later got from the insurance company that tried to deny her disability claims for what should have been regarded as a workplace injury.

The setting is mostly Toronto and Montreal, where Wong’s father had long owned a Chinese restaurant, and whose business fails when Wong’s reputation suffers amid the controversy. She travels a lot in the course of her narrative, even while she’s ill, for what she and her medical providers hope will be a “geography cure.” She goes to Finland with her son for a hockey tournament, and travels with her stalwart sister to Paris. As an alum of the Columbia Graduate School of Journalism, Wong also visits New York City and the Columbia campus, near where I happen to live. The Globe & Mail tries to make an issue of her ability to travel, while she’s unable to work, failing to recognize that it was their careless treatment of her in the newsroom that had triggered her illness, which was continually re-injuring here.

She pays sincere homage to her predecessors in the field of depression memoirs–William Styron, Andrew Solomon, and Kay Redfield Jamison–quoting strategically from their books. She also laments something I’ve written about on this blog, in the context of my own departure from Sterling Publishing in 2009, “the baleful influence that today’s HR mindset casts on our culture, full of its own hermetic vocabulary, with bland euphemisms, opaque acronyms, and inhumane doublespeak. Shunning and banishment are two of the signature modes of behavior in this modern HR culture.” Wong experienced this far worse than I ever did. And yet, it would be wrong to paint the book too bleakly. Despite being unable to write for most of the two years, and suffering huge losses in cognition and her social comfortability, I was conscious while reading the book that she’s writing it from a post-depression standpoint. Amazingly, she also manages to inject mordant humor in to the tale, as she portrays some of her managers and the contortions they took to deny how sick she was.

To top it all off, there’s also a triumphant backstory to the publication of the book, which came out in 2012. Out of the Blue has done well, with many recognitions and healthy sales, and yet she was forced to publish it herself after Doubleday Canada canceled it shortly before the manuscript was going in to copyediting. They evidently became uneasy over the legal climate around the book, since Wong, the Globe & Mail, and their insurer had had so many legal battles during the course of her ordeal. I read a lot of first-person literature, and this is one of the best examples of it I’ve read in a long time.

 

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Most Over-Hyped Publishing Story This Week

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A headline teasing a new Buzzfeed publishing story caught my eye this morning, something about a decline in sales of conservative books, so I later clicked the link and read the story. The title and tagline of the piece were way over-hyped:  Killing Conservative Books: The Shocking End Of A Publishing Gold Rush

Reporter McKay Coppins talked with some conservative agents, editors, and publishers who told him that their books aren’t doing well, or at least not as well as they were doing during some halcyon earlier time. They complain that publishing is tough right now, with declining sales, which they gravely lament. Here’s a nugget from Coppins’ piece: “I think the problems in the conservative publishing arena are more acute than in the rest of the industry,” said Keith Urbahn, former chief of staff to Donald Rumsfeld, who now runs a communications firm in Washington and works as a literary agent for conservative authors.” His grandiosity is fairly stunning, and it’s like that throughout the story: this is an example of people living in a bubble who think their problem are worse than everyone else’s. They’ve just noticed that times are tough, and are acting like they discovered a trend.

My response to these agents, editors, and publishers, especially the latter who’ve paid ridiculous advances to officeholders, cited in the story, like $800K for Marcio Rubio: As Republicans are fond of demanding from others, “Tighten your belts.”

My view is that all this right-wing publishing that was doing better until recently reaped the benefit of being on the up side of a boom cycle that has finally begun coming back to earth. These guys have feasted for years creating chimerical boogeymen (the Clintons, Barack Obama, progressives, liberated women, etc.) in their political messaging, then reaping the dividends of it all in many areas of media, including books. For a time this allowed them to inflate their sales among low-information right-wing viewers and readers who knew little and for a long time believed much of what they heard and read. Evidently many of those people are wearying of the ceaseless clown show put on for them, or at any rate, have tired of buying the books.

My response to McKay Coppins: the book business is struggling in a lot of areas these days. Your story took a really myopic view of this situation, by focusing almost entirely on hard times for your chosen subjects, and overlooking what’s going on for all political books, as well as current affairs and history titles, and in many other areas of consumer publishing.

My headline for Coppins and his sources: “Welcome to the book world of 2014!”

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