Jeremy Fisher, True Troubador

Jeremy Fisher isn’t a big person, but the singer-songwriter sure makes a big sound. It’d be hard to imagine more music coming from any other solo player. Along with his voice, his primary instrument is a weathered Gibson LG-2 guitar from which he punches out a great, full sound. His bright singing voice offers a lot of welcome contrast with that percussive Gibson, since I suspect it falls somewhere between the tenor and alto range. The lyrics he sings are deeply felt declarations that carry a personal, even existential quality.

I highly recommend all of Jeremy’s music, and particularly, his latest album, “Mint Juleps,”  a recording with five originals written by Jeremy and  covers of seven songs by such artists as Gordon Lightfoot, John Hiatt, and Greg Brown. Fisher makes each song his own in such a way that until I studied the album sleeve, I wasn’t sure which songs were his and which were the covers. “Spin, Spin, Spin” is a rare Gordon Lightfoot song, in that it hasn’t been sung by lots of other artists already. In a recent phone interview, Jeremy told me that was one of the reasons he chose it for the record. He said he wanted songs to which he knew he could add something new. That is certainly the case with Greg Brown’s ode to the bounty of summer, “Canned Goods,” about the pickles, tomatoes, and fruits his dear grandma put up for canning when he was a boy.

One of the highlights of attending the North by Northeast (NXNE) festival in Toronto in June was finally hearing Jeremy perform live. I had heard him on CBC Radio 3 many times, enjoying such songs as “Shine a Little Light” and “Jolene” (not Dolly Parton’s song of the same name) but I was unprepared for how bright, funny, and charismatic he is as a live performer. That week I heard him play at the Dakota Tavern showcase** hosted by his label Hidden Pony, and at the picnic hosted by CBC Radio 3 host and author Grant Lawrence, where I took this outdoor photo.

The title of the new album is not meant to remind listeners of the Kentucky Derby, or anything about America’s Old South. This Canadian composer wanted to evoke lazy summer days, or as he told me, “the kind of record I’d like to listen to while making brunch on a Sunday morning, or having a drink on a Friday afternoon.” He said he’s been playing other people’s songs ever since he started joining bands as a kid, playing songs by Canadian super-groups Blue Rodeo and the Tragically Hip. and later Beatles and Motown covers. They were the “starting point” for him as a songwriter. For the new album he played solo versions of the songs he’d decided to record and emailed the sound files to the musicians he’d asked to accompany him. This group included such standout Canadian musicians as Joey Wright, whose 2011 album “Hatch” I enjoy a lot. Adding a nice tough here, Wright plays guitar, mandolin, and tenor guitar. Based on his rough work-up, Jeremy told his musical recruits, “this is the feel I want, but I want fresh ideas every take. . . . I wanted the personalities of the players to shine through.”

The new album was engineered my Mark Ouimet, who also plays percussion and sings on several numbers. Among many favorite songs on the album, I’m especially enjoying “If It’s Alright With You,’ written by Gene MacClellan, which sports a great harmonica riff played by Jeremy himself. Listening to Jeremy Fisher’s latest recording of his favorite songs during this sweltering summer of 2012 one is left with an unmistakable impression of hearing a latter day Buddy Holly, a forgotten sibling to the Everly Brothers, or maybe Paul Simon. Even with all those classic rock and pop associations, which are not a stretch, Jeremy’s an original talent with a great feel for song–I recommend you listen to him for yourself.

**That Dakota showcase where I heard Jeremy Fisher also featured Erin Passmore, the Danks, Elephant Stone, and Rah Rah, each also clients of Hidden Pony. All five acts–including Jeremy who followed Erin–played great that night. Click here to view 15 of the photos I took during the showcase.

3 Great Canadian Bands Coming to NYC, July 30-Aug.3

Three great Canadian indie rock n’ roll bands are scheduled to play in New York City in the next week. I am out of town right now and will be unable to make these shows, but if you, dear reader, are in the city next week, I urge you to check out one, two or all three of these shows. Here’s the concert rundown:

Monday, July 30 at Mercury Lounge, Deep Dark Woods from Saskatoon, Saskatchewan. DDW is a terrific roots band that features soulful vocals, sweet pedal steel guitar, and soothing organ amid a strong ensemble sound. I am sorry to miss this show, as I haven’t yet heard them live, but they are great on record. You can sample the music on their latest album, “The Places I Left Behind,” via this link.

Tuesday, July 31 at Bowery Ballroom, Plants and Animals from Montreal. I heard Plants and Animals at the Mercury Lounge last April, a tremendous show I wrote up on this blog at the time, readable at this link. Their latest album is called “The End of That” and it is a great record with many memorable songs. You can listen to tunes from it here.

Friday, August 3, Rockwood Music Hall, Imaginary Cities from Winnipeg. I’ve heard Imaginary Cities several times, and loved them each time. They are anchored by the amazing female vocalist Marti Sabit, who writes great songs with bandmate, guitarist Rusty Matyas. I wrote about the launch party they played for their album “Temporary Resident” at the Rockwood last April, a post that also includes video of them performing their song “Hummingbird.” You can read more about them and listen to their music at their website.

NY Times Profiles CBC host Jian Ghomeshi


Jian Ghomeshi of CBC Radio’s ‘Q,’ one of my favorite talk shows on radio, has been profiled by the NY Times John Schwartz in an article headlined “A Wild Mix of Culture by Way of Canada.” I had recently written about Jian and ‘Q’ in this post, after he won the Gold Award for best talk-show host at the New York Festivals International Radio Awards. I am pleased to see him making so much headway in New York City, and throughout the States, where the program is now carried on 120 public radio stations, including WNYC 93.9 FM at 10 PM on weeknights. I took the photo below of Jian (l.) and CBC host Grant Lawrence when I was recently in Toronto for NXNE, and along with a group of CBC Radio 3 fans was given a tour of the broadcast facility.

 

This Week at The Great Gray Bridge

In the past week at this blog, I’ve written about the best TV ad of the presidential campaign thus far; a brave woman in Alaska who fended off an aggressive grizzly bear; the Alamo Drafthouse Cinema of Austin, TX, which is entering the NYC market only a couple blocks from my office; the great Canadian band Library Voices; Sarah Silverman’s bawdy video that pokes fun at right-wing casino magnate Sheldon Adelson; a new album from Bob Dylan; the award-winning CBC radio host, Jian Ghomeshi; Greenland’s worryingly shrinking Petermann Glacier; a young chess master and Franconia College classmate of mine who vanished in 1978 under mysterious circumstances; the late, great baseball writer, Robert Creamer, who chronicled the life of Babe Ruth; the sweet severance deal Mitt Romney arranged for himself from Bain Capital; the moving book I’ve been reading by Rob Sheffield, my #FridayReads yesterday; and my own personal history, including the story of how during a teenage road trip my brother Joel and I happened to adopt our longtime black lab Noah, pictured here with me.

In Depth Profile of CBC Radio’s Jian Ghomeshi

July 25 Update: Jian Ghomeshi of CBC Radio’s ‘Q’ has now also been the subject of a NY Times profile, and here’s a link to it. I’m really pleased to see Jian and his program making so much headway in New York City, and throughout the States.


CBC Radio One’s morning program ‘Q‘ is one of my favorite shows on any radio network. Though normally produced at CBC’s headquarters in Toronto, host Jian Ghomeshi and his producers occasionally take their show on the road, which allowed my son Ewan and I to attend a live taping held in WNYC’s Greene Space in 2011. That night Jian interviewed guests Joy Behar and Fran Leibowitz and the band The National played too. He was very personable when we talked afterward, and pleased to meet U.S. listeners like us. That visit to NY was a prologue as the show has a spot on WNYC’s evening schedule this summer, 10 PM on the FM frequency, 93.9. I still listen on the Internet most mornings while at my desk, but it’s also great that I can hear it in the evenings if I missed it earlier.

Last month, during the NXNE festival, when fans of CBC Radio 3, the indie rock outpost of CBC, got a tour of CBC HQs, producer Pedro Mendes and Radio 3 host Grant Lawrence brought Jian out to meet the group. He was charming, and when I (re-) introduced myself he remembered having met me and Ewan in NY more than a year ago. That afternoon I took this photo of Jian, in the soccer jersey, and Grant, in flannel. 

Today I was glad to read a profile of Jian in the Globe & Mail from last weekend. Reporter Brad Wheeler adopts a somewhat snarky tone, but overall, it’s a good article, with info like this:

“Last month, Ghomeshi won the Gold Award for best talk-show host at the New York Festivals International Radio Awards. Q, the popular daily arts, entertainment and culture magazine he hosts with aplomb and a soothing baritone, air[ing] on 120 public radio stations south of the border, including in major markets such as New York, Chicago and San Diego. . . . Q’s unprecedented American victories are explainable. The show takes pop culture seriously, attracts A-list guests, engages in lively debate and manages a rhythmic flow of its varied content. You have a host in Ghomeshi who comes with an exotic cultural background, a radio-friendly baritone, and who’s cocky and well-read enough to take on a variety of issues and interview subjects in an in-depth way. ‘The type of show Jian does draws on a lot aspects of the host’s personality,’ says Robert Harris, long-time CBC personality and producer. ‘It stretches your brain power, and the audience reacts to it.’ . . . . Some of the new listeners no doubt react to Q’s hip list of musical guests. Moreover, the artists and labels themselves are on board. Would rapper andQ guest Jay-Z have done Radio One five years ago? No chance. ‘American managers are reaching out to me, wanting to know which shows they should do,’ says Patrick Sambrook, a prominent artists’ manager whose clients include Kathleen Edwards and Sarah Harmer. ‘Q is on the top of the list for international artists coming to Canada. It’s the show that you want to be on.’”

To this I would add that ‘Q’ broadcast a nearly one-hour interview with Neil Young and Daniel Lanois, when “LeNoise” was released last year, a rare bit of media access that Neil chose to give ‘Q.’ More recently, Jian interviewed Chinese dissident artist, Ai Weiwei, who chose to appear on ‘Q’ despite continuing threats to his freedom by the Chinese government. I haven’t heard Ai WeiWei on any NPR programs. Clearly, ‘Q’ has become a go-to show for artists, authors, and many public figures. If you enjoy filling your day with intelligent talk radio, I recommend you listen to this terrific program. Being nowhere near Canadian air waves doesn’t matter, as it’s easy to listen to CBC on the Web.

Jian, whose family comes orginally from Iran, moved from England to Canada when he was fourteen is writing a book, 1982, about his teenage obsession with David Bowie, which will be published in Canada, and he told me, the U.S.

Library Voices, Kicking it up in Quebec City

I love the music of Canadian power pop septet Library Voices, and in the past year have twice had the pleasure of hearing them play live. The first time was last November when they played the Knitting Factory in Brooklyn with the six-piece outfit Ohbijou*, a show I wrote about in the early weeks of this blog. The second time was this past April when they played Pianos on the Lower East Side with Yukon Blonde, when the photos accompanying this post were shot.

Library Voices play their power pop with an exuberant intensity that I’ve found a great joy to take in. In my post last fall, I wrote they have “a brash, fun sound with vibrant catchy hooks, bookish song titles and literary-minded lyrics by synth player Mike Dawson (‘Reluctant Readers Make Reluctant Lovers,’ ‘If Raymond Carver Were Born in the 90s,’ ‘Prime Minister’s Daughter’), and a very athletic performing style.” Among the foremost of the athletes on stage is bassist Eoin Hickey-Cameron, a big man with a great personality who in a photo shown here utterly dwarfs me! Eoin jumps in place while playing his instrument, which he does with great abandon. It is for good reason that Library Voices got a lot of votes in last year’s CBC Radio 3 Bucky Awards in the “Best Live Band” category, including mine.

I was delighted to read today that over the past weekend Library Voices played a festival in Quebec City, far from their prairie base in Regina, Saskatchewan. And, according to Mark Teo of Exclaim magazine, the show they played at the Festival d’été was one for the ages. Teo writes their “eager energy — more befitting of a hardcore act — translated into scintillating pop, converting ‘If Raymond Carver Were Born in the ’90s’ and ‘Generation Handclap’ into insta-memorable shout-alongs. And when they closed with the Misfits’ ‘Where Eagles Dare,’ it became official: Library Voices owned the funnest set of the Festival d’été.” About Eoin, he adds, “Bassist Eoin Hickey-Cameron pogoed as if he were in Youth of Today.” Teo’s terrific review is only a few paragraphs, and really worth reading at this link.

* Ohbijou is a great band too. In my post last November, I described them as playing a kind of “space jam with soaring notes and lyrical interludes with great vocals by sisters Casey and Jenny Mecija, who also play guitar and violin respectively.” In the last photo in the gallery along with this post, I’m pictured with Jenny, who happens to be Eoin Hickey-Cameron’s girlfriend.

Happy Canada Day!

To celebrate Canada Day, I’ve scanned two photos I took during Canadian road trips some years ago, and posted them at the Great Gray Bridge tumblr, and now here. The top one is from Peggy’s Cove, Nova Scotia, from 1988, and the other is of Roche Percé, the amazing pierced rock, from a visit to Quebec’s Gaspé Peninsula earlier in the ’80s. Happy Birthday to all my Canadian friends!